Free Essays - I Havent Got a Dime for College :: College Admissions Essays

I Havent Got a Dime for College   Growing up Ive met the best of people and Ive met the worst of people. My father has constantly been my hero. He loved, provided for and took care of two children and a sick wife everyday for twenty years. I look at his picture in my wallet separately day and wonder if I can ever measure up to him.   I thought my cousin had agreed to lend me $15,000 so that I could process a decent college. I agreed to sign a promissory note. I showed up at the New City  Brewery to sign the papers and crack up the fall in. I read the paper. It said for $30,000 I was selling him my interest in a vacation cabin our grandmother bought fifty years ago. The check however was only for $15,000. I dont understand. I pushed back his Mount Blanc pen and the unsigned contract.   Bill folded his arms. In 1956 your father borrowed $6,000 from my father and I want it back. He flashed a mean smile that I hadnt seen since 1957 when the bank took away my famil ys house. My father took me to my cousins house to ask for his outgrown clothing for me. That day my cousin handed me a book of account along with some clothes from his hamper and gave me this same vicious smile. The book was The Prince and The Pauper.   My father worked sixty hours a week for the next fifteen years nonrecreational off debts and sending his children to college. He stopped paying old debts when my mothers medical bills made that impossible. He died a few years later. Ive missed him every day.   I hadnt used that small cabin at the lake in a decade.

Views on the role of Nick as a narrator in the Great Gatsby have Essay

Views on the role of scratch as a narrator in the Great Gatsby havevaried greatly. How do the shots of Arthur Mizener and Gary J.Scrimgeour relate to your own view of cut offs function in the fiction?Published in 1925, and written by F. Scott Fitzgerald, The GreatGatsby is a brilliant and scathing illustration of life among the new abstruse during the 1920s people who had recently amassed a great deal ofwealth but had no corresponding social connections, or a sense ofmorality. Nick Carraway is the narrator of the novel he rents a houseon Long Island next door to Jay Gatsby, the title character. Gatsby isin love with Nicks cousin Daisy, who is married to an obnoxious manshe does not really love, and he has no strong feelings towards hereither. Her and his extramarital affairs are set against thebackground of the extravagant parties that Gatsby is famous forthrowing, while Nick struggles to reconcile his attraction to a lavishlifestyle with his feeling that a moral grounding is mis sing. Thewriting style throughout The Great Gatsby is terse and the record attimes is depressing, with an overall message of hope and the Americandream, discouraging.The story is told through the eyes of an active, biased, participant.Nick Carraway has a special place in this novel and has manyfunctions. He is not just one character among several, it is throughhis eyes and ears that we form our opinions of the other characters.Nick is both within, yet outside the natural event of events as he isfriends with Gatsby and related to Daisy, but is still not involvedfully in all that occurs, even though somebody else often tells him around it. Often, readers of this novel confuse Nicks stance towardsthose characters a... ...atsby is Nicks opinion. Gatsbys dream and the purity ofhis vision is the great part, rather than the wealth. In one sense,the title of the novel is ironic the title character is uncompletegreat nor named Gatsby. He is a criminal whose real name is JamesGatz, and th e life he has created for himself is an illusion. By thesame token, the title of the novel refers to the theatrical dexterity withwhich Gatsby makes this illusion seem real.Fitzgerald has created a most interesting character in Nick because heis very much a fallible storyteller. When an author unsettles an authorized convention in the art of storytelling by creating a narratorlike Nick, it draws attention to the story as fiction. Ironically, indoing this, he has created in Nick a figure that more closelyresembles an average human being and thus has heightened the realismof the novel.

Masculine and Feminine Perspectives in Virginia Woolfs To The Lighthou

Masculine and Feminine Perspectives in To the Lighthouse Although subjectivity and objectivity are both ever at work in todays society, the two concepts have opposite meanings. We can categorize subjectivity as a quality that dominates the female persona, whereas objectivity is distinctly the tool of the male. Woolf represents these two opposing views in the form of characters. During the course of a conversation concerning the weather, Mr. Ramsay and Mr. Tansley completely sever logic from emotion and concentrate only on the facts surrounding the matter. They believe that life can be empirically cut up into millions of facts and truths. Mrs. Ramsay, on the opposite hand, believes that empirical data and personal subjectivity should be viewed together and with equal importance. Mr. Ramsay and Mr. Tansley represent the masculine worldview concerning facts and feelings, and Mrs. Ramsay represents the feminine worldview. In this novel, Woolf is not arguing to do away with empiricis m completely, she simply believes it should be considered along with subjectivity. Mrs. Ramsay fights against the discouragement that empiricism brought and seeks to weave her own worldview, hoping to win James. And because Mr. Ramsay boldly asserts that this perception of the world is the folly of womens minds (31), places this novel not just on a level of critiquing worldviews, nevertheless worldviews as perceived through gender. This essay will argue that the feminine worldview, presented by Mrs. Ramsay in To the Lighthouse, is the most virtuous perception because it seeks a balance ... ...her peoples feelings . . . was to her so horrible an outrage of human decency that . . . there was nothing to be said (31-32). Mrs. Ramsay produces the most virtuous worldview because she accepted empiricism and made room for hope and considered other peoples feelings. Works Cited and Consulted Gilbert, Sandra M. and Gubar, Susan. No Mans Land, Volume 3, Letters From the Front. London Yale University Press, 1994. Latham, Jacqueline, ed. Critics on Virginia Woolf. Florida University of Miami Press, 1970. OBrien Schaefer, Josephine. The Three-fold Nature of Reality in the Novels of Virginia Woolf. The Hague Mouton and Co., 1965, pp. 111-13, 118-25. Woolf, Virginia. To the Lighthouse. Introduction by D.M. Hoare, Ph.D. London J.M. Dent and Sons Ltd., 1960